Guide Mein gläubiges Herze frohlocke

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  1. – J.S. Bach BW 68, Cantata for Pentecost | Trio MaGMa
  2. Mein Glaubiges Herze - 1 MY HEART EVER FAITHFUL MEIN...
  3. Mein Gläubiges Herze, Frohlocke
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– J.S. Bach BW 68, Cantata for Pentecost | Trio MaGMa

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Add you MP3 interpretation on this page! Bach, Johann Sebastian - Organ, Violin, Voice. The affinity of these themes with the angel motifs is obvious.

Mein Glaubiges Herze - 1 MY HEART EVER FAITHFUL MEIN...

Both are meant to represent graceful motion of an almost superterrestrial kind, by means of which Bach wishes to express the transfigured joy that has vanquished grief. In the 1 st chorus Mvt. Bach employs it for the representation of sorrowful pathos.


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The simple aria of the hunting cantata is in its own way more beautiful and better balanced than that of the Whit Monday cantata, in which we cannot help seeing ultimately that a new patch has been placed on an old garment. In a broadly-conceived introductory choral mvt. The independent unrelated to the chorale ritornello has its themes played by oboes supporting the violins moving according to the rhythm of a siciliano.

Even the supporting vocal parts are independent of the chorale melody.

Thus, despite the minor tonality of the chorale melody, this mvt. The greatest transformation occurred in the vocal part which was changed from a plain, song-like melody into an elaborate, very lively version with wide interval leaps and decorative melismas. This ritornello existed as a separate mvt.

Mein Gläubiges Herze, Frohlocke

The 2 nd aria Mvt. This aria also relates to its original form and betrays its origin by its use of 3 oboes very pastoral in nature. In a manner similar to the 1 st aria Mvt.

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Bach was forced once again to modify the musical structure as he had in the soprano aria, but this time the changes were not as profound as in the 1 st aria Mvt. The final chorus Mvt. This last mvt. In the last few ms.


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This creates an echo-effect that does not usually fit into our preconceived notions about Bach, but will, upon repeated hearing, reveal its peculiar charm. Chafe: The liturgical year provides one of the principal contexts for our understanding of the Bach cantatas. And the placing of cantatas within the liturgical year often, as we will see, had great influence on how their texts were constructed.

Without knowing the occasion for which the work was composed, we might well conclude that it was a Christmas cantata. The majestic character is evidently transformed into Cantata 68; the simple association of worldly and divine glory through the medium of music is not problematic. These texts represent the tendency in the Gospel of John toward realized or present eschatology, that is, an eschatology that perceives the division of worlds in terms of above and below rather than present and future.

Sviatoslav Richter. Allegro con fuoco. Elena Kuschnerova. No recommendations found. Nonharmonic Recommendations. Raoul Koczalski, Ingolf Wunder.

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Emanuel Ax. Daniel Pollack. Sergei Rachmaninoff, Peter Katin. Evgeny Kissin. Leif Ove Andsnes. Nordlandsbilleder Pictures from Nordland Suite No. Mot fedrenes fjell Towards the mountains of my forefathers.